Chacaltana Cortez, Sofía Consuelo
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Nombre preferido
Chacaltana Cortez, Sofía Consuelo
Job Title
Directora del Instituto de Ética y Desarrollo
Afiliación principal
Correo electrónico
sofia.chacaltana@uarm.pe
ORCID
ID de autor de Scopus
ID del investigador
HLH-3500-2023
2 resultados
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Tipo de ítem:Publicación, Inka and Local ceramic production and distribution networks: A view from the Chinchaysuyo and Colesuyo(Elsevier B.V., 2023); ;Baca Marroquín, Emily ;Hernández Garavito, Carla ;Norman, Scotti M.Grávalos, M. ElizabethThis paper uses multiple geochemical ceramic datasets generated using Laser Ablation Inductively Coupled Plasma Mass-Spectrometry (LA-ICP-MS) to reconstruct patterns in the manufacture of ceramics in four locales of the Inka realm. Specifically, we compare local and Inka Polychrome styles in different regions of the empire. Collectively, these data reveal that local systems of production were not greatly transformed by imperial expansion. However, our results suggest that potters continued to produce their earlier styles and added Inka styles manufactured with similar raw materials to their repertoire. This indicates that they actively made use of newly introduced craft concepts during political shifts. These results show the adaptability of local ceramicists in experimenting and/or learning paste recipes to manufacture Inka forms and design canons. Additionally, the data highlight the role of potters as participants in Inka imperialism through their manufacture of both foreign pottery and local ceramic styles. - Algunas métricas están bloqueadas por tuconfiguración de consentimiento
Tipo de ítem:Publicación, Crafting a colony: Geochemical insights into 1000 years of state craft in the Moquegua Valley, Peru(Elsevier B.V., 2023); ;Sharratt, Nicola ;Ryan Williams, Patrick ;Nash, Donna J.Wackett, JoshuaThe long-distance movement of craft items and ideas about their manufacture contribute to imperial projects; facilitating the dissemination of ideologies, serving as tribute, and acting as media for actors to assert affinity with elites and for elites to reward subjects. We interrogate how pottery production and distribution were influenced and involved in different imperial strategies over approximately 1000 years in one Andean valley. Attractive to colonizing polities for its agricultural potential, the Moquegua Valley was first incorporated into expansive states during the Middle Horizon (500–1000 CE) when both the Wari and Tiwanaku established provincial enclaves there. In the 15th century, the valley was subject to Inka colonization. A century later, it was Spanish imperialism that shaped Moquegua’s sociopolitical dynamics. Despite this recurrent pattern of conquest and incorporation, the nature of these incursions likely varied. The elemental data discussed here were generated through LA-ICP-MS on ceramics excavated from archaeological sites that span this millennium of imperialism; they include ceramic material associated with all four political incursions as well as the four centuries long Late Intermediate Period (LIP) when Moquegua was not under the influence of external state authority. Coupled with a robust compositional database of clays that facilitates distinguishing imported ceramics and also the exploitation of different resources within the valley, the data from Moquegua present an opportunity to a) reconstruct a diachronic picture of resource acquisition, the organization of production, and participation in local, regional, and long distance exchange networks and b) interrogate similarities and differences in how craft was implicated in diverse strategies of statecraft. The elemental data suggest that crafting activities were configured in different ways for each of the four expansive polities in Moquegua. As such these data add weight to recent scholarship that argues that crafting activities in contexts of imperialism cannot be reduced to simple models. Additionally, the data from the LIP contribute to comparative dialogue on production and exchange during periods of political localism, and illustrate the ways in which crafting activities participate in intercommunity dynamics during periods of social turmoil.
